By Roger Ebert
Ahh, love. it may be a many splendored factor, however it may also result in the discomfort of a damaged middle. For these experiencing one of these unhappy eventuality, flip to this publication purely choice of Ebert's necessities, and examine those studies of films to aid get you thru the heartbreak. whereas now not a therapy for a damaged middle (what may possibly be?), gazing those movies can carry desire and appreciation for the potential for love back or simply assist you chuckle on the overall absurdity of all of it. get pleasure from such vintage romantic comedies as Moonstruck and Annie corridor to the decidedly offbeat Lars and the true woman that may aid carry a grin again. savor quiet seems into love with movies just like the odor of eco-friendly Papaya and as soon as. As an extra bonus to this distinct assortment, clips of motion picture trailers are incorporated with such a lot reports.
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Extra info for 25 Movies to Mend a Broken Heart (Ebert's Essentials)
In Money too Bresson shows his interest in young people as protagonists, though Yvon, initially an innocent victim of circumstance, is ultimately defeated by the chain of events that binds him to crime and punishment. At the end, like Bruno, Yvon confesses his wrongdoings but fails thereby to save himself. Unlike his Bressonian predecessor, Fontaine in Un Condamné à mort s’est échappé (A Man Escaped, 1956), Yvon is now a condemned murderer with little chance of escape. Michel, the antihero of Bresson’s Pickpocket (1959), resembles Bruno in The Child in following a life of petty crime that he justifies despite its apparent futility.
By 2005, for instance, unemployment accounted for almost twenty per cent of the regional population. indb 26 the cine ma o f t h e d ard e nne brot he r s 26/11/12 22:53:03 Things were very different in the region when Jean-Pierre Dardenne was born on 21 April 1951 in Engis and Luc Dardenne on 10 March 1954 in Awirs. Known for its lime and chemical plants, and once dubbed one of the most polluted places in Europe by no less a figure than Jean-Paul Sartre, Engis is a small town on the northern bank of the River Meuse, adjacent to Seraing, which lies on the southern bank.
Mizoguchi neither moralises nor sentimentalises its prostitute characters. Though all five women struggle financially in a cycle of payment and debt, they do what they do to survive, as the money is better than working for nothing at home. The system, a combination of government and employer, is always going to exploit them anyway by cheating them, turning them against one another, or threatening them with no work at all. There are of course other directors and other films that relate in some way to the Dardennes.