By Charles P. Mitchell
This exam and complete evaluation of apocalyptic movie reviews fifty movies that illustrate the range, variety and various different types of the style. Apocalyptic movies are those who depict, on monitor as a part of the tale, an occasion threatening the extinction of mankind. a short review identifies seven significant different types of apocalyptic motion pictures: the non secular or supernatural, celestial collision, sunlight or orbital disruption, nuclear struggle and radioactive fallout, germ battle or pestilence, alien machine or invasion, and medical miscalculation. Alphabetically prepared entries cost the movies and supply creation info, an annotated forged directory, a synopsis of the movie, a critique, and consultant quotes.
Film students and people with a different curiosity in apocalyptic cinema will delight in the review and distinctive research of the movies. Appendices offer extra examples of apocalyptic video clips excluded from the most textual content, a sampling of post-apocalyptic cinema that's specified from the apocalyptic style and examples of apocalyptic tv. Illustrations are incorporated.
Read Online or Download A Guide to Apocalyptic Cinema PDF
Similar film books
Multiple thousand pages within the voice of our so much provocative modern movie critic and historian—a beneficiant historical past of movie and an attractive serious appraisal written with as a lot humor and keenness as ancient knowledge.
Juxtaposing the fanciful and the awesome, the outdated favorites and the forgotten, this sweeping assortment offers the movies that Thomson deals to reply to the query he will get requested so much often—“What should still I see? ” now not content material to settle on in basic terms his personal most sensible movies, Thomson has created a listing that may shock and enjoyment you—and ship you on your DVD participant. yet he additionally probes the query: After 100 years of movie, which of them are the simplest, and why?
“Have You noticeable . . . ? ” indicates a real canon of cinema and is a needs to for somebody who loves the silver monitor: the ideal confection to dip into for a style of controversy, little-known proof, and concepts approximately what to determine. You’ll are looking to go back to this quantity repeatedly, like an expensive yet argumentative pal at the hours of darkness on the video clips.
Does Hong Kong have an important culture of documentary film-making?
Until lately, many movie students believed now not. but, whilst Ian Aitken and Michael Ingham challenged this assumption, they found a wealthy cinematic culture relationship again to the 1890s.
Under-researched and sometimes forgotten, documentary film-making in Hong Kong encompasses a thriving self sufficient documentary movie flow, a wide archive of documentaries made through the colonial movie devices, and a few vintage British respectable motion pictures. Case reviews from all 4 different types are tested during this publication, together with The conflict of Shanghai, the ocean and the Sky, emerging solar and The Hong Kong Case. In-depth dialogue and research of newer Hong Kong self sufficient documentaries specializes in works reminiscent of Cheung King-wai’s KJ: song and lifestyles and movies by way of Tammy Cheung and Evans Chan.
With a selected emphasis on how those motion pictures handle the historico-political measurement in their time, Hong Kong Documentary movie introduces scholars and students in movie stories to this interesting and mostly unexplored cinematic culture.
Movie Noir deals new views in this hugely well known and influential movie style, delivering an invaluable review of its historic evolution and the numerous severe debates over its stylistic parts. Brings jointly a number of views on a subject that has been a lot mentioned yet continues to be notoriously ill-definedTraces the old improvement of the style, usefully exploring the family among the movies of the Forties and Fifties that demonstrated the "noir" universe and the more moderen movies during which it's been often revivedEmploys a transparent and clever writing sort that makes this the appropriate advent to the genreOffers an intensive and fascinating research of this well known sector of movie reports for college kids and scholarsPresents an in-depth research of six key motion pictures, every one exemplifying vital traits of movie noir: homicide, My candy; Out of the previous; Kiss Me lethal; The lengthy see you later; Chinatown; and SevenContent: bankruptcy 1 advent (pages 1–19): bankruptcy 2 historic review (pages 20–49): bankruptcy three serious review (pages 50–72): bankruptcy four homicide, My candy (pages 73–99): bankruptcy five Out of the previous (pages 100–122): bankruptcy 6 Kiss Me lethal (pages 123–145): bankruptcy 7 The lengthy see you later (pages 146–170): bankruptcy eight Chinatown (pages 171–190): bankruptcy nine Seven (pages 191–214):
- How To Read a Film: Movies, Media, and Beyond
- Unheard Melodies: Narrative Film Music
- European Film Theory and Cinema: A Critical Introduction
- Fantasy Fiction Into Film: Essays
Extra resources for A Guide to Apocalyptic Cinema
The experiment was a complete success. On stage there was what looked like a real waterfall, sparkling in a cloud of spray and foam in the beams of a theatrical moon. Equally successful was the use of cinema at the People’s House for a production of 20,000 Leagues Under the Sea. 53 In September 1911 the new Mozaika [Mosaic] Theatre opened in St Petersburg. Ge, was conceived as a new type of theatre. The aim of the Mozaika was to compete with cinema. The productions were organised on the principle of the variety show, which was unfamiliar to the Russian audience.
The film was made later that year, but at the preliminary screening it was rejected by the author himself. Later Voznesensky explained: The shots with all their plot diversions were tiring to the eyes. Some kind of intervals were necessary. Then it became clear that in silent cinema the title does not play a purely explanatory role: rather it plays the role of a visual entr’acte. I suggested making a few literary inserts which would have no direct relation to the action but would provide a lyrical accompaniment to it and supplement it psychologically.
The project did not remain a paper one. Pavel Orlenev, a star of the Russian dramatic stage, was attracted to the idea of hybrid performances. In December 1913 the newspaper Teatral’naya gazeta reported with astonishment that Orlenev and his troupe, on a guest visit to the ‘Art Theatre of Miniatures’, were performing the second and third act of Woe and Misfortune on stage, while the remaining three acts are shown on a screen. 60 Orlenev used the same method to play five of his most famous roles, in addition to those already mentioned for 1913, including Ibsen’s Ghosts and Brand and Alexei EARLY RUSSIAN CINEMA: SOME OBSERVATIONS 29 Tolstoi’s Tsar Fyodor Ioannovich, all in 1914.